Dickens' London > Mayhew: Covent Garden Market

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Covent Garden Market

Henry Mayhew - London Labour and the London Poor (1851)

Henry Mayhew (25 November 1812 – 25 July 1887) was an English social researcher, journalist, playwright and advocate of reform. He was one of the co-founders of the satirical and humorous magazine Punch in 1841, and was the magazine's joint-editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the Morning Chronicle that was later compiled into the book series London Labour and the London Poor (1851), a groundbreaking and influential survey of the city's poor.

On a Saturday – the coster's business day – it is computed that as many as 2,000 donkey-barrows, and upwards of 3,000 women with shallows and head-baskets visit this market during the forenoon. About six o'clock in the morning is the best time for viewing the wonderful restlessness of the place, for then not only is the 'Garden' itself all bustle and activity, but the buyers and sellers stream to and from it in all directions, filling every street in the vicinity. From Long Acre to the Strand on the one side, and from Covent Garden Market Bow-street to Bedford-street on the other, the ground has been seized upon by the market-goers. As you glance down any one of the neighbouring streets, the long rows of carts and donkey- barrows seem interminable in the distance. They are of all kinds, from the greengrocer's taxed cart to the coster's barrow – from the showy excursion-van to the rude square donkey-cart and brick- layer's trusk. In every street they are ranged down the middle and by the kerb-stones. Along each approach to the market, too, nothing is to be seen, on all sides, but vegetables; the pavement is covered with heaps of them waiting to be carted; the flag-stones are stained green with the leaves trodden under foot; sieves and sacks full of apples and potatoes, and bundles of broccoli and rhubarb, are left unwatched upon almost every door-step; the steps of Covent Garden Theatre are covered with fruit and vege- tables; the road is blocked up with mountains of cabbages and turnips; and men and women push past with their arms bowed out by the cauliflowers under them, or the red tips of carrots pointing from their crammed aprons, or else their faces are red with the weight of the loaded head-basket.

The donkey-harrows, from their number and singularity, force you to stop and notice them. Every kind of ingenuity has been exercised to construct harness for the costers' steeds; where a buckle is wanting, tape or string make the fastening secure; traces are made of rope and old chain, and an old sack or cotton handker- chief is folded up as a saddle-pad. Some few of the barrows make a magnificent exception, and are gay with bright brass; while one of the donkeys may be seen dressed in a suit of old plated carriage- harness, decorated with coronets in all directions. At some of the coster conveyances stands the proprietor, arranging his goods, the dozing animal starting up from its sleep each time a heavy basket is hoisted on the tray. Others, with their green and white and red load neatly arranged, are ready for starting, but the coster is finishing his breakfast at the coffee-stall. On one barrow there may occasionally be seen a solitary sieve of apples, with the horse of some neighbouring cart helping himself to the pippins while the owner is away. The men that take charge of the trucks, whilst the costers visit the market, walk about, with their arms full of whips and sticks. At one corner a donkey has slipped down, and lies on the stones covered with the cabbages and apples that have fallen from the cart.

The market itself presents a beautiful scene. In the clear morning air of an autumn day the whole of the vast square is distinctly seen from one end to the other. The sky is red and golden with the newly-risen sun, and the rays falling on the fresh and vivid colours of the fruit and vegetables, brighten up the picture as with a coat of varnish. There is no shouting, as at other markets, but a low murmuring hum is heard, like the sound of the sea at a distance, and through each entrance to the market the crowd sweeps by. Under the dark Piazza little bright dots of gas-lights are seen burning in the shops; and in the paved square the people pass and cross each other in all directions, hampers clash together, and excepting the carters from the country, every one is on the move. Sometimes a huge column of baskets is seen in the air, and walks away in a marvellously steady manner, or a monster railway van, laden with sieves of fruit, and with the driver perched up on his high seat, jolts heavily over the stones. Cabbages are piled up into stacks as it wore. Carts are heaped high with turnips, and bunches of carrots like huge red fingers, are seen in all directions. Flower- girls, with large bundles of violets under their arms, run past, leaving a trail of perfume behind them. Wagons, with their shafts sticking up in the air, are ranged before the salesmen's shops, the high green load railed in with hurdles, and every here and there bunches of turnips are seen flying in the air over the heads of the people. Groups of apple- women, with straw pads on their crushed bonnets, and coarse shawls crossing their bosoms, sit on their porter's knots, chatting in Irish, and smoking short pipes; every passer-by is hailed with the cry of, 'Want a baskit, yer honor?' The porter, trembling under the piled-up hamper, trots along the street, with his teeth clenched and shirt wet with the weight, and staggering at every step he takes.

Inside the market all is bustle and confusion. The people walk along with their eyes fixed on the goods, and frowning with thought. Men in all costumes, from the coster in his corduroy suit to the greengrocer in his blue apron, sweep past. A countryman, in an old straw hat and dusty boots, occasionally draws down the anger of a woman for walking about with his hands in the pockets of his smock-frock, and is asked, 'if that is the way to behave on a market- day?' Even the granite pillars cannot stop the crowd, for it separates and rushes past them, like the tide by a bridge pier. At every turn there is a fresh odour to sniff at; either the bitter aromatic perfume of the herbalists' shops breaks upon you, or the scent of oranges, then of apples, and then of onions is caught for an instant as you move along. The broccoli tied up in square packets, the white heads tinged slightly red, as it were, with the sunshine – the sieves of crimson love-apples, polished like china, – the bundles of white glossy leeks, their roots dangling like fringe, – the celery, with its pinky stalks and bright green tops, – the dark purple pickling- cabbages, the scarlet carrots, – the white knobs of turnips, – the bright yellow balls of oranges, and the rich brown coats of the chestnuts – attract the eye on every side. Then there are the apple- merchants, with their fruit of all colours, from the pale yellow green to the bright crimson, and the baskets ranged in rows on the pavement before the little shops. Round these the customers stand examining the stock, then whispering together over their bargain, and counting their money. 'Give you four shillings for this here lot, master,' says a coster, speaking for his three companions. 'Four and six is my price,' answers the .salesman. 'Say four, and it's a bargain,' continues the man. 'I said my price,' returns the dealer; 'go and look round, and see if you can get 'em cheaper; if not, come back. I only wants what's fair.' The man, taking the sales- man's advice, moves on. The walnut merchant, with the group of women before his shop, peeling the fruit, their fingers stained deep brown, is busy with the Irish purchasers. The onion stores, too, are surrounded by Hibernians, feeling and pressing the gold- coloured roots, whose dry skins crackle as they are handled. Cases of lemons in their white paper jackets, and blue grapes, just seen above the sawdust are ranged about, and in some places the ground is slippery as ice from the refuse leaves and walnut husks scattered over the pavement.

Against the railings of St. Paul's Church are hung baskets and slippers for sale, and near the public-house is a party of countrymen preparing their bunches of pretty coloured grass – brown and glittering, as if it had been bronzed. Between the spikes of the railing are piled up square cakes of green turf for larks; and at the pump, boys, who probably have passed the previous night in the baskets about the market, are washing, and the water dripping from their hair that hangs in points over the face. The kerb-stone is blocked up by a crowd of admiring lads, gathered round the bird- catcher's green stand, and gazing at the larks beating their breasts against their cages. The owner, whose boots are red with the soil of the brick-field, shouts, as he looks carelessly around, 'A cock linnet for tuppence,' and then hits at the youths who are poking through the bars at the fluttering birds.

Under the Piazza the costers purchase their flowers (in pots) which they exchange in the streets for old clothes. Here is ranged a small garden of flower-pots, the musk and mignonette smelling sweetly, and the scarlet geraniums, with a perfect glow of coloured air about the flowers, standing out in rich contrast with the dark green leaves of the evergreens behind them. 'There's myrtles, and larels, and boxes,' says one of the men selling them, 'and there's a harbora witus, and lauristiners, and that bushy shrub with pink spots is heath.' Men and women, selling different articles, walk about under the cover of the colonnade. One has seed-cake, another small-tooth and other combs, others old caps, or pig's feet, and one hawker of knives, razors, and short hatchets, may occasionally be seen driving a bargain with a countryman, who stands passing his thumb over the blade to test its keenness. Between the pillars are the coffee-stalls, with their large tin cans and piles of bread and butter, and protected from the wind by paper screens and sheets thrown over clothes-horses; inside these little parlours, as it were, sit the coffee-drinkers on chairs and benches, some with a bunch of cabbages on their laps, blowing the steam from their saucers, others, with their mouths full, munching away at their slices, as if not a moment could be lost. One or two porters are there besides, seated on their baskets, breakfasting with their knots on their heads. As you walk away from this busy scene, you meet in every street barrows and costers hurrying home. The pump in the market is now surrounded by a cluster of clattering wenches quarrelling over whose turn it is to water their drooping violets, and on the steps of Covent Garden Theatre are seated the shoeless girls, tying up the halfpenny and penny bundles (Mayhew, 1851, p. 423-427).

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