Pictures from Italy > Map of Charles Dickens' Italian travels
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Charles Dickens - Pictures from Italy
Map of Charles Dickens' Italian travels 1844-1845
Sources
Pictures from Italy - Charles Dickens
Charles Dickens Letters - Pilgrim Edition
The Life of Charles Dickens - John Forster
Dickens' describes the places he visited
Routes: Blue | Red | Green | Orange | Yellow
Pictures from Italy - Taken from the published account.
Forster - Taken from John Forster's biography The Life of Charles Dickens which is comprised of Dickens' letters to Forster during the trip.
Letters - The Letters of Charles Dickens - Pilgrim Edition
Blue Route - Journey to Italy through France
July 2-13, 1844
Boulogne
(map B-2)Forster - Shortly before there had been some public interest about the captain of a Boulogne steamer apprehended on a suspicion of having stolen specie, but reinstated by his owners after a public apology to him on their behalf; and Dickens had hardly set foot on the boat that was to carry them across, when he was attracted by the look of its captain, and discovered him after a few minutes' talk to be that very man. "Such an honest, simple, good fellow, I never saw," said Dickens, as he imitated for me the homely speech in which his confidences were related. The Boulogne people, he said, had given him a piece of plate, "but Lord bless us! it took a deal more than that to get him round again in his own mind; and for weeks and weeks he was uncommon low to be sure. Newgate, you see! What a place for a sea-faring man as had held up his head afore the best on 'em, and had more friends, I mean to say, and I do tell you the daylight truth, than any man on this station--ah! or any other, I don't care where!" (Forster, 1899, v. 1, p. 361-362)
Chalons
(map F-3)Pictures from Italy - CHALONS is a fair resting-place, in right of its good inn on the bank of the river, and the little steamboats, gay with green and red paint, that come and go upon it: which make up a pleasant and refreshing scene, after the dusty roads. But, unless you would like to dwell on an enormous plain, with jagged rows of irregular poplars on it, that look in the distance like so many combs with broken teeth: and unless you would like to pass your life without the possibility of going up-hill, or going up anything but stairs: you would hardly approve of Chalons as a place of residence (Pictures from Italy, p. 270).
Lyon
(map G-3)Pictures from Italy - What a city Lyons is! Talk about people feeling, at certain unlucky times, as if they had tumbled from the clouds! Here is a whole town that is tumbled, anyhow, out of the sky; having been first caught up, like other stones that tumble down from that region, out of fens and barren places, dismal to behold! The two great streets through which the two great rivers dash, and all the little streets whose name is Legion, were scorching, blistering, and sweltering. The houses, high and vast, dirty to excess, rotten as old cheeses, and as thickly peopled. All up the hills that hem the city in, these houses swarm; and the mites inside were lolling out of the windows, and drying their ragged clothes on poles, and crawling in and out at the doors, and coming out to pant and gasp upon the pavement, and creeping in and out among huge piles and bales of fusty, musty, stifling goods; and living, or rather not dying till their time should come, in an exhausted receiver. Every manufacturing town, melted into one, would hardly convey an impression of Lyons as it presented itself to me: for all the undrained, unscavengered qualities of a foreign town, seemed grafted, there, upon the native miseries of a manufacturing one; and it bears such fruit as I would go some miles out of my way to avoid encountering again.
In the cool of the evening: or rather in the faded heat of the day: we went to see the Cathedral, where divers old women, and a few dogs, were engaged in contemplation. There was no difference, in point of cleanliness, between its stone pavement and that of the streets; and there was a wax saint, in a little box like a berth aboard ship, with a glass front to it, whom Madame Tussaud would have nothing to say to, on any terms, and which even Westminster Abbey might be ashamed of. If you would know all about the architecture of this church, or any other, its dates, dimensions, endowments, and history, is it not written in Mr. Murray's Guide- Book, and may you not read it there, with thanks to him, as I did? (Pictures from Italy, p. 270-271)
Valence
(map H-3)Pictures from Italy - Where Napoleon studied (Pictures from Italy, p. 272).
Avignon
(map H-3)Pictures from Italy - There lay before us, that same afternoon, the broken bridge of Avignon, and all the city baking in the sun; yet with an under- done-pie-crust, battlemented wall, that never will be brown, though it bake for centuries.
The grapes were hanging in clusters in the streets, and the brilliant Oleander was in full bloom everywhere. The streets are old and very narrow, but tolerably clean, and shaded by awnings stretched from house to house. Bright stuffs and handkerchiefs, curiosities, ancient frames of carved wood, old chairs, ghostly tables, saints, virgins, angels, and staring daubs of portraits, being exposed for sale beneath, it was very quaint and lively. All this was much set off, too, by the glimpses one caught, through a rusty gate standing ajar, of quiet sleepy court-yards, having stately old houses within, as silent as tombs. It was all very like one of the descriptions in the Arabian Nights. The three one- eyed Calendars might have knocked at any one of those doors till the street rang again, and the porter who persisted in asking questions - the man who had the delicious purchases put into his basket in the morning - might have opened it quite naturally.
We went, first of all, up a rocky height, to the cathedral: where Mass was performing to an auditory very like that of Lyons, namely, several old women, a baby, and a very self-possessed dog, who had marked out for himself a little course or platform for exercise, beginning at the altar-rails and ending at the door, up and down which constitutional walk he trotted, during the service, as methodically and calmly, as any old gentleman out of doors. It is a bare old church, and the paintings in the roof are sadly defaced by time and damp weather; but the sun was shining in, splendidly, through the red curtains of the windows, and glittering on the altar furniture; and it looked as bright and cheerful as need be (Pictures from Italy, p. 272-273).
Letters - To Clarkson Stanfield Albaro, Saturday Night, August 24th, 1844
You made that bridge at Avignon better than it is. Beautiful as it undoubtedly is, you made it fifty times better (Letters, 1977, v. 4, p. 184).
Aix
(map I-3)Pictures from Italy - So we went on, until eleven at night, when we halted at the town of Aix (within two stages of Marseilles) to sleep.
The hotel, with all the blinds and shutters closed to keep the light and heat out, was comfortable and airy next morning, and the town was very clean; but so hot, and so intensely light, that when I walked out at noon it was like coming suddenly from the darkened room into crisp blue fire. The air was so very clear, that distant hills and rocky points appeared within an hour's walk; while the town immediately at hand - with a kind of blue wind between me and it - seemed to be white hot, and to be throwing off a fiery air from the surface (Pictures from Italy, p. 280-281).
Marseille
(map I-3)Pictures from Italy - As we approached Marseilles, the road began to be covered with holiday people. Outside the public-houses were parties smoking, drinking, playing draughts and cards, and (once) dancing. But dust, dust, dust, everywhere. We went on, through a long, straggling, dirty suburb, thronged with people; having on our left a dreary slope of land, on which the country-houses of the Marseilles merchants, always staring white, are jumbled and heaped without the slightest order: backs, fronts, sides, and gables towards all points of the compass; until, at last, we entered the town.
I was there, twice or thrice afterwards, in fair weather and foul; and I am afraid there is no doubt that it is a dirty and disagreeable place. But the prospect, from the fortified heights, of the beautiful Mediterranean, with its lovely rocks and islands, is most delightful. These heights are a desirable retreat, for less picturesque reasons - as an escape from a compound of vile smells perpetually arising from a great harbour full of stagnant water, and befouled by the refuse of innumerable ships with all sorts of cargoes: which, in hot weather, is dreadful in the last degree.
There were foreign sailors, of all nations, in the streets; with red shirts, blue shirts, buff shirts, tawny shirts, and shirts of orange colour; with red caps, blue caps, green caps, great beards, and no beards; in Turkish turbans, glazed English hats, and Neapolitan head-dresses. There were the townspeople sitting in clusters on the pavement, or airing themselves on the tops of their houses, or walking up and down the closest and least airy of Boulevards; and there were crowds of fierce-looking people of the lower sort, blocking up the way, constantly. In the very heart of all this stir and uproar, was the common madhouse; a low, contracted, miserable building, looking straight upon the street, without the smallest screen or court-yard; where chattering mad-men and mad-women were peeping out, through rusty bars, at the staring faces below, while the sun, darting fiercely aslant into their little cells, seemed to dry up their brains, and worry them, as if they were baited by a pack of dogs.
We were pretty well accommodated at the Hotel du Paradis, situated in a narrow street of very high houses, with a hairdresser's shop opposite, exhibiting in one of its windows two full-length waxen ladies, twirling round and round: which so enchanted the hairdresser himself, that he and his family sat in arm-chairs, and in cool undresses, on the pavement outside, enjoying the gratification of the passers-by, with lazy dignity. The family had retired to rest when we went to bed, at midnight; but the hairdresser (a corpulent man, in drab slippers) was still sitting there, with his legs stretched out before him, and evidently couldn't bear to have the shutters put up.
Next day we went down to the harbour, where the sailors of all nations were discharging and taking in cargoes of all kinds: fruits, wines, oils, silks, stuffs, velvets, and every manner of merchandise. Taking one of a great number of lively little boats with gay-striped awnings, we rowed away, under the sterns of great ships, under tow-ropes and cables, against and among other boats, and very much too near the sides of vessels that were faint with oranges, to the MARIE ANTOINETTE, a handsome steamer bound for Genoa, lying near the mouth of the harbour. By-and-by, the carriage, that unwieldy 'trifle from the Pantechnicon,' on a flat barge, bumping against everything, and giving occasion for a prodigious quantity of oaths and grimaces, came stupidly alongside; and by five o'clock we were steaming out in the open sea (Pictures from Italy, p. 281-282).
Genoa
(map H-5)Forster - The evening of Tuesday the 16th of July saw him in a villa at Albaro, the suburb of Genoa in which, upon the advice of our Gore-house friends, he had resolved to pass the summer months before taking up his quarters in the city. His wish was to have had Lord Byron's house there, but it had fallen into neglect and become the refuge of a third-rate wine-shop. The matter had then been left to Angus Fletcher who just now lived near Genoa, and he had taken at a rent absurdly above its value an unpicturesque and uninteresting dwelling, which at once impressed its new tenant with its likeness to a pink jail. "It is," he said to me, "the most perfectly lonely, rusty, stagnant old staggerer of a domain that you can possibly imagine. What would I give if you could only look round the courtyard! I look down into it, whenever I am near that side of the house, for the stable is so full of 'vermin and swarmers' (pardon the quotation from my inimitable friend) that I always expect to see the carriage going out bodily, with legions of industrious fleas harnessed to and drawing it off, on their own account. We have a couple of Italian work-people in our establishment; and to hear one or other of them talking away to our servants with the utmost violence and volubility in Genoese, and our servants answering with great fluency in English (very loud: as if the others were only deaf, not Italian), is one of the most ridiculous things possible. The effect is greatly enhanced by the Genoese manner, which is exceedingly animated and pantomimic; so that two friends of the lower class conversing pleasantly in the street, always seem on the eve of stabbing each other forthwith. And a stranger is immensely astonished at their not doing it" (Forster, 1899, v. 1, p. 362-363).
Pictures from Italy - They who would know how beautiful the country immediately surrounding Genoa is, should climb (in clear weather) to the top of Monte Faccio, or, at least, ride round the city walls: a feat more easily performed. No prospect can be more diversified and lovely than the changing views of the harbour, and the valleys of the two rivers, the Polcevera and the Bizagno, from the heights along which the strongly fortified walls are carried, like the great wall of China in little. In not the least picturesque part of this ride, there is a fair specimen of a real Genoese tavern, where the visitor may derive good entertainment from real Genoese dishes, such as Tagliarini; Ravioli; German sausages, strong of garlic, sliced and eaten with fresh green figs; cocks' combs and sheep- kidneys, chopped up with mutton chops and liver; small pieces of some unknown part of a calf, twisted into small shreds, fried, and served up in a great dish like white-bait; and other curiosities of that kind. They often get wine at these suburban Trattorie, from France and Spain and Portugal, which is brought over by small captains in little trading-vessels. They buy it at so much a bottle, without asking what it is, or caring to remember if anybody tells them, and usually divide it into two heaps; of which they label one Champagne, and the other Madeira. The various opposite flavours, qualities, countries, ages, and vintages that are comprised under these two general heads is quite extraordinary. The most limited range is probably from cool Gruel up to old Marsala, and down again to apple Tea.
The great majority of the streets are as narrow as any thoroughfare can well be, where people (even Italian people) are supposed to live and walk about; being mere lanes, with here and there a kind of well, or breathing-place. The houses are immensely high, painted in all sorts of colours, and are in every stage and state of damage, dirt, and lack of repair. They are commonly let off in floors, or flats, like the houses in the old town of Edinburgh, or many houses in Paris. There are few street doors; the entrance halls are, for the most part, looked upon as public property; and any moderately enterprising scavenger might make a fine fortune by now and then clearing them out. As it is impossible for coaches to penetrate into these streets, there are sedan chairs, gilded and otherwise, for hire in divers places. A great many private chairs are also kept among the nobility and gentry; and at night these are trotted to and fro in all directions, preceded by bearers of great lanthorns, made of linen stretched upon a frame. The sedans and lanthorns are the legitimate successors of the long strings of patient and much-abused mules, that go jingling their little bells through these confined streets all day long. They follow them, as regularly as the stars the sun.
When shall I forget the Streets of Palaces: the Strada Nuova and the Strada Balbi! or how the former looked one summer day, when I first saw it underneath the brightest and most intensely blue of summer skies: which its narrow perspective of immense mansions, reduced to a tapering and most precious strip of brightness, looking down upon the heavy shade below! A brightness not too common, even in July and August, to be well esteemed: for, if the Truth must out, there were not eight blue skies in as many midsummer weeks, saving, sometimes, early in the morning; when, looking out to sea, the water and the firmament were one world of deep and brilliant blue. At other times, there were clouds and haze enough to make an Englishman grumble in his own climate (Pictures from Italy, p. 291-292).
Red Route - Journey to Marseille to meet his brother Frederick
September, 1844
San Remo
(map I-4)Pictures from Italy - Next afternoon we started for Genoa, by the famed Cornice road...Much of the romance of the beautiful towns and villages on this beautiful road, disappears when they are entered, for many of them are very miserable.
These towns, as they are seen in the approach, however: nestling, with their clustering roofs and towers, among trees on steep hill- sides, or built upon the brink of noble bays: are charming. The vegetation is, everywhere, luxuriant and beautiful, and the Palm- tree makes a novel feature in the novel scenery. In one town, San Remo - a most extraordinary place, built on gloomy open arches, so that one might ramble underneath the whole town - there are pretty terrace gardens(Pictures from Italy, p. 311-313).
Green Route - Journey to London to read The Chimes
November 6 - December 22, 1844
Stradella
(map H-6)Pictures from Italy - [We] travelled on, until nearly eleven o'clock at night, when the driver reported that he couldn't think of going any farther, and we accordingly made a halt at a place called Stradella.
The inn was a series of strange galleries surrounding a yard where our coach, and a waggon or two, and a lot of fowls, and firewood, were all heaped up together, higgledy-piggledy; so that you didn't know, and couldn't have taken your oath, which was a fowl and which was a cart. We followed a sleepy man with a flaring torch, into a great, cold room, where there were two immensely broad beds, on what looked like two immensely broad deal dining-tables; another deal table of similar dimensions in the middle of the bare floor; four windows; and two chairs. Somebody said it was my room; and I walked up and down it, for half an hour or so, staring at the Tuscan, the old priest, the young priest, and the Avvocato (Red- Nose lived in the town, and had gone home) [fellow travellers], who sat upon their beds, and stared at me in return (Pictures from Italy, p. 314-315).
Letters - Mrs. Charles Dickens Parma, Albergo Della Posta, Friday, Nov. 8th, 1844
We were bound, as you know,—perhaps,—for Piacenza, but it was discovered that we couldn't get to
Piacenza, and about ten o'clock at night we halted at a place called
Stradella, where the inn was a series of queer galleries open to the
night, with a great courtyard full of waggons and horses, and
"velociferi," and what not in the centre. It was bitter cold and very
wet, and we all walked into a bare room (mine!) with two immensely broad
beds on two deal dining-tables, a third great empty table, the usual
washing-stand tripod, with a slop-basin on it, and two chairs. And then
we walked up and down for three-quarters of an hour or so, while dinner,
or supper, or whatever it was, was getting ready. This was set forth (by
way of variety) in the old priest's bedroom, which had two more
immensely broad beds on two more deal dining-tables in it. The first
dish was a cabbage boiled in a great quantity of rice and hot water, the
whole flavoured with cheese. I was so cold that I thought it
comfortable, and so hungry that a bit of cabbage, when I found such a
thing floating my way, charmed me. After that we had a dish of very
little pieces of pork, fried with pigs' kidneys; after that a fowl;
after that something very red and stringy, which I think was veal; and
after that two tiny little new-born-baby-looking turkeys, very red and
very swollen. Fruit, of course, to wind up, and garlic in one shape or
another in every course. I made three jokes at supper (to the immense
delight of the company), and retired early. The brave brought in a bush
or two and made a fire, and after that a glass of screeching hot brandy
and water; that bottle of his being full of brandy. I drank it at my
leisure, undressed before the fire, and went into one of the beds. The
brave reappeared about an hour afterwards and went into the other;
previously tying a pocket-handkerchief round and round his head in a
strange fashion, and giving utterance to the sentiment with which this
letter begins (Letters, 1977, v. 4, p. 213-214).
Piacenza
(map H-3)Pictures from Italy - A brown, decayed, old town, Piacenza is. A deserted, solitary, grass-grown place, with ruined ramparts; half filled-up trenches, which afford a frowsy pasturage to the lean kine that wander about them; and streets of stern houses, moodily frowning at the other houses over the way. The sleepiest and shabbiest of soldiery go wandering about, with the double curse of laziness and poverty, uncouthly wrinkling their misfitting regimentals; the dirtiest of children play with their impromptu toys (pigs and mud) in the feeblest of gutters; and the gauntest of dogs trot in and out of the dullest of archways, in perpetual search of something to eat, which they never seem to find. A mysterious and solemn Palace, guarded by two colossal statues, twin Genii of the place, stands gravely in the midst of the idle town; and the king with the marble legs, who flourished in the time of the thousand and one Nights, might live contentedly inside of it, and never have the energy, in his upper half of flesh and blood, to want to come out (Pictures from Italy, p. 317).
Parma
(map H-7)Pictures from Italy - Parma has cheerful, stirring streets, for an Italian town; and consequently is not so characteristic as many places of less note. Always excepting the retired Piazza, where the Cathedral, Baptistery, and Campanile - ancient buildings, of a sombre brown, embellished with innumerable grotesque monsters and dreamy-looking creatures carved in marble and red stone - are clustered in a noble and magnificent repose. Their silent presence was only invaded, when I saw them, by the twittering of the many birds that were flying in and out of the crevices in the stones and little nooks in the architecture, where they had made their nests. They were busy, rising from the cold shade of Temples made with hands, into the sunny air of Heaven. Not so the worshippers within, who were listening to the same drowsy chaunt, or kneeling before the same kinds of images and tapers, or whispering, with their heads bowed down, in the selfsame dark confessionals, as I had left in Genoa and everywhere else.
The decayed and mutilated paintings with which this church is covered, have, to my thinking, a remarkably mournful and depressing influence. It is miserable to see great works of art - something of the Souls of Painters - perishing and fading away, like human forms. This cathedral is odorous with the rotting of Correggio's frescoes in the Cupola. Heaven knows how beautiful they may have been at one time. Connoisseurs fall into raptures with them now; but such a labyrinth of arms and legs: such heaps of fore- shortened limbs, entangled and involved and jumbled together: no operative surgeon, gone mad, could imagine in his wildest delirium (Pictures from Italy, p. 318-319).
Modena
(map I-7)Pictures from Italy - It was most delicious weather, when we came into Modena, where the darkness of the sombre colonnades over the footways skirting the main street on either side, was made refreshing and agreeable by the bright sky, so wonderfully blue. I passed from all the glory of the day, into a dim cathedral, where High Mass was performing, feeble tapers were burning, people were kneeling in all directions before all manner of shrines, and officiating priests were crooning the usual chant, in the usual, low, dull, drawling, melancholy tone (Pictures from Italy, p. 320).
Bologna
(map I-7)Pictures from Italy - Bologna being very full of tourists, detained there by an inundation which rendered the road to Florence impassable, I was quartered up at the top of an hotel, in an out-of-the-way room which I never could find: containing a bed, big enough for a boarding-school, which I couldn't fall asleep in (Pictures from Italy, p. 324).
I had entered Bologna by night - almost midnight - and all along the road thither, after our entrance into the Papal territory: which is not, in any part, supremely well governed, Saint Peter's keys being rather rusty now; the driver had so worried about the danger of robbers in travelling after dark, and had so infected the brave Courier, and the two had been so constantly stopping and getting up and down to look after a portmanteau which was tied on behind, that I should have felt almost obliged to any one who would have had the goodness to take it away (Pictures from Italy, p. 325).
Ferrara
(map H-7)Pictures from Italy - More solitary, more depopulated, more deserted, old Ferrara, than any city of the solemn brotherhood! The grass so grows up in the silent streets, that any one might make hay there, literally, while the sun shines. But the sun shines with diminished cheerfulness in grim Ferrara; and the people are so few who pass and re-pass through the places, that the flesh of its inhabitants might be grass indeed, and growing in the squares.
ARIOSTO'S house, TASSO'S prison, a rare old Gothic cathedral, and more churches of course, are the sights of Ferrara. But the long silent streets, and the dismantled palaces, where ivy waves in lieu of banners, and where rank weeds are slowly creeping up the long- untrodden stairs, are the best sights of all (Pictures from Italy, p. 326).
Venice
(map H-8)Forster - 'My dear fellow, nothing in the world that ever you have heard of Venice, is equal to the magnificent and stupendous reality. The wildest visions of the Arabian Nights are nothing to the piazza of Saint Mark, and the first impression of the inside of the church. The gorgeous and wonderful reality of Venice is beyond the fancy of the wildest dreamer. Opium couldn't build such a place, and enchantment couldn't shadow it forth in a vision. All that I have heard of it, read of it in truth or fiction, fancied of it, is left thousands of miles behind. You know that I am liable to disappointment in such things from over-expectation, but Venice is above, beyond, out of all reach of coming near, the imagination of a man. It has never been rated high enough. It is a thing you would shed tears to see. When I came _on board_ here last night (after a five miles' row in a gondola; which somehow or other, I wasn't at all prepared for); when, from seeing the city lying, one light, upon the distant water, like a ship, I came plashing through the silent and deserted streets; I felt as if the houses were reality--the water, fever-madness. But when, in the bright, cold, bracing day, I stood upon the piazza, this morning, by Heaven the glory of the place was insupportable! And diving down from that into its wickedness and gloom--its awful prisons, deep below the water; its judgment chambers, secret doors, deadly nooks, where the torches you carry with you blink as if they couldn't bear the air in which the frightful scenes were acted; and coming out again into the radiant, unsubstantial Magic of the town; and diving in again, into vast churches, and old tombs--a new sensation, a new memory, a new mind came upon me. Venice is a bit of my brain from this time.
My dear Forster, if you could share my transports (as you would if you were here) what would I not give! I feel cruel not to have brought Kate and Georgy; positively cruel and base. Canaletti and Stanny, miraculous in their truth. Turner, very noble. But the reality itself, beyond all pen or pencil. I never saw the thing before that I should be afraid to describe. But to tell what Venice is, I feel to be an impossibility. And here I sit alone, writing it: with nothing to urge me on, or goad me to that estimate, which, speaking of it to anyone I loved, and being spoken to in return, would lead me to form. In the sober solitude of a famous inn; with the great bell of Saint Mark ringing twelve at my elbow; with three arched windows in my room (two stories high) looking down upon the grand canal and away, beyond, to where the sun went down to-night in a blaze; and thinking over again those silent speaking faces of Titian and Tintoretto; I swear (uncooled by any humbug I have seen) that Venice is the wonder and the new sensation of the world! If you could be set down in it, never having heard of it, it would still be so. With your foot upon its stones, its pictures before you, and its history in your mind, it is something past all writing of or speaking of--almost past all thinking of. You couldn't talk to me in this room, nor I to you, without shaking hands and saying 'Good God my dear fellow, have we lived to see this!' (Forster, 1899, v. 1, p. 399-401)
Letters - Mr. Douglas Jerrold November 16th, 1844
I have never in my life been so struck by any place as by Venice. It is
the wonder of the world. Dreamy, beautiful, inconsistent, impossible,
wicked, shadowy, d----able old place. I entered it by night, and the
sensation of that night and the bright morning that followed is a part
of me for the rest of my existence (Letters, 1977, v. 4, p. 219-220).
Verona
(map H-7)Pictures from Italy - I HAD been half afraid to go to Verona, lest it should at all put me out of conceit with Romeo and Juliet. But, I was no sooner come into the old market-place, than the misgiving vanished. It is so fanciful, quaint, and picturesque a place, formed by such an extraordinary and rich variety of fantastic buildings, that there could be nothing better at the core of even this romantic town: scene of one of the most romantic and beautiful of stories.
It was natural enough, to go straight from the Market-place, to the House of the Capulets, now degenerated into a most miserable little inn. Noisy vetturini and muddy market-carts were disputing possession of the yard, which was ankle-deep in dirt, with a brood of splashed and bespattered geese; and there was a grim-visaged dog, viciously panting in a doorway, who would certainly have had Romeo by the leg, the moment he put it over the wall, if he had existed and been at large in those times. The orchard fell into other hands, and was parted off many years ago; but there used to be one attached to the house - or at all events there may have, been, - and the hat (Cappello) the ancient cognizance of the family, may still be seen, carved in stone, over the gateway of the yard. The geese, the market-carts, their drivers, and the dog, were somewhat in the way of the story, it must be confessed; and it would have been pleasanter to have found the house empty, and to have been able to walk through the disused rooms. But the hat was unspeakably comfortable; and the place where the garden used to be, hardly less so. Besides, the house is a distrustful, jealous- looking house as one would desire to see, though of a very moderate size. So I was quite satisfied with it, as the veritable mansion of old Capulet, and was correspondingly grateful in my acknowledgments to an extremely unsentimental middle-aged lady, the Padrona of the Hotel, who was lounging on the threshold looking at the geese; and who at least resembled the Capulets in the one particular of being very great indeed in the 'Family' way.
From Juliet's home, to Juliet's tomb, is a transition as natural to the visitor, as to fair Juliet herself, or to the proudest Juliet that ever has taught the torches to burn bright in any time. So, I went off, with a guide, to an old, old garden, once belonging to an old, old convent, I suppose; and being admitted, at a shattered gate, by a bright-eyed woman who was washing clothes, went down some walks where fresh plants and young flowers were prettily growing among fragments of old wall, and ivy-coloured mounds; and was shown a little tank, or water-trough, which the bright-eyed woman - drying her arms upon her 'kerchief, called 'La tomba di Giulietta la sfortunata.' With the best disposition in the world to believe, I could do no more than believe that the bright-eyed woman believed; so I gave her that much credit, and her customary fee in ready money. It was a pleasure, rather than a disappointment, that Juliet's resting-place was forgotten. However consolatory it may have been to Yorick's Ghost, to hear the feet upon the pavement overhead, and, twenty times a day, the repetition of his name, it is better for Juliet to lie out of the track of tourists, and to have no visitors but such as come to graves in spring-rain, and sweet air, and sunshine.
Pleasant Verona! With its beautiful old palaces, and charming country in the distance, seen from terrace walks, and stately, balustraded galleries. With its Roman gates, still spanning the fair street, and casting, on the sunlight of to-day, the shade of fifteen hundred years ago. With its marble-fitted churches, lofty towers, rich architecture, and quaint old quiet thoroughfares, where shouts of Montagues and Capulets once resounded (Pictures from Italy, p. 337-338).
Mantua
(map H-7)Pictures from Italy - Was the way to Mantua as beautiful, in his [Romeo's] time, I wonder! Did it wind through pasture land as green, bright with the same glancing streams, and dotted with fresh clumps of graceful trees! Those purple mountains lay on the horizon, then, for certain; and the dresses of these peasant girls, who wear a great, knobbed, silver pin like an English 'life-preserver' through their hair behind, can hardly be much changed. The hopeful feeling of so bright a morning, and so exquisite a sunrise, can have been no stranger, even to an exiled lover's breast; and Mantua itself must have broken on him in the prospect, with its towers, and walls, and water, pretty much as on a common-place and matrimonial omnibus. He made the same sharp twists and turns, perhaps, over two rumbling drawbridges; passed through the like long, covered, wooden bridge; and leaving the marshy water behind, approached the rusty gate of stagnant Mantua (Pictures from Italy, p. 340).
Cremona
(map H-7)Pictures from Italy - At six o'clock next morning, we were jingling in the dark through the wet cold mist that enshrouded the town; and, before noon, the driver (a native of Mantua, and sixty years of age or thereabouts) began TO ASK THE WAY to Milan...It lay through mist, and mud, and rain, and vines trained low upon the ground, all that day and the next; the first sleeping- place being Cremona, memorable for its dark brick churches, and immensely high tower, the Torrazzo - to say nothing of its violins, of which it certainly produces none in these degenerate days (Pictures from Italy, p. 344-345).
Milan
(map H-6)Pictures from Italy - Then we went on, through more mud, mist, and rain, and marshy ground: and through such a fog, as Englishmen, strong in the faith of their own grievances, are apt to believe is nowhere to be found but in their own country, until we entered the paved streets of Milan (Pictures from Italy, p. 345).
The fog was so dense here, that the spire of the far-famed Cathedral might as well have been at Bombay, for anything that could be seen of it at that time. But as we halted to refresh, for a few days then, and returned to Milan again next summer, I had ample opportunities of seeing the glorious structure in all its majesty and beauty.
In the old refectory of the dilapidated Convent of Santa Maria delle Grazie, is the work of art, perhaps, better known than any other in the world: the Last Supper, by Leonardo da Vinci - with a door cut through it by the intelligent Dominican friars, to facilitate their operations at dinner-time (Pictures from Italy, p. 346).
We achieved the other sights of Milan, in due course, and a fine city it is, though not so unmistakably Italian as to possess the characteristic qualities of many towns far less important in themselves. The Corso, where the Milanese gentry ride up and down in carriages, and rather than not do which, they would half starve themselves at home, is a most noble public promenade, shaded by long avenues of trees. In the splendid theatre of La Scala, there was a ballet of action performed after the opera, under the title of Prometheus: in the beginning of which, some hundred or two of men and women represented our mortal race before the refinements of the arts and sciences, and loves and graces, came on earth to soften them. I never saw anything more effective. Generally speaking, the pantomimic action of the Italians is more remarkable for its sudden and impetuous character than for its delicate expression, but, in this case, the drooping monotony: the weary, miserable, listless, moping life: the sordid passions and desires of human creatures, destitute of those elevating influences to which we owe so much, and to whose promoters we render so little: were expressed in a manner really powerful and affecting. I should have thought it almost impossible to present such an idea so strongly on the stage, without the aid of speech (Pictures from Italy, p. 347).
Forster - He resumed his letter on the fourth of November. "Here is the brave courier measuring bits of maps with a carving-fork, and going up mountains on a teaspoon. He and I start on Wednesday for Parma, Modena, Bologna, Venice, Verona, Brescia, and Milan. Milan being within a reasonable journey from here, Kate and Georgy will come to meet me when I arrive there on my way towards England; and will bring me all letters from you. I shall be there on the 18th" (Forster, 1899, v. 1, p. 397).
Lago Maggiore
(map G-6)Pictures from Italy - Milan soon lay behind us, at five o'clock in the morning; and before the golden statue on the summit of the cathedral spire was lost in the blue sky, the Alps, stupendously confused in lofty peaks and ridges, clouds and snow, were towering in our path.
Still, we continued to advance toward them until nightfall; and, all day long, the mountain tops presented strangely shifting shapes, as the road displayed them in different points of view. The beautiful day was just declining, when we came upon the Lago Maggiore, with its lovely islands. For however fanciful and fantastic the Isola Bella may be, and is, it still is beautiful. Anything springing out of that blue water, with that scenery around it, must be (Pictures from Italy, p. 347).
Simplon Pass
(map G-5)Pictures from Italy - It was ten o'clock at night when we got to Domo d'Ossola, at the foot of the Pass of the Simplon. But as the moon was shining brightly, and there was not a cloud in the starlit sky, it was no time for going to bed, or going anywhere but on. So, we got a little carriage, after some delay, and began the ascent.
It was late in November; and the snow lying four or five feet thick in the beaten road on the summit (in other parts the new drift was already deep), the air was piercing cold. But, the serenity of the night, and the grandeur of the road, with its impenetrable shadows, and deep glooms, and its sudden turns into the shining of the moon and its incessant roar of falling water, rendered the journey more and more sublime at every step.
Soon leaving the calm Italian villages below us, sleeping in the moonlight, the road began to wind among dark trees, and after a time emerged upon a barer region, very steep and toilsome, where the moon shone bright and high (Pictures from Italy, p. 347-348).
We were well upon the summit of the mountain: and had before us the rude cross of wood, denoting its greatest altitude above the sea: when the light of the rising sun, struck, all at once, upon the waste of snow, and turned it a deep red. The lonely grandeur of the scene was then at its height (Pictures from Italy, p. 348-349).
Taking to our wheels again, soon afterwards, we began rapidly to descend; passing under everlasting glaciers, by means of arched galleries, hung with clusters of dripping icicles; under and over foaming waterfalls; near places of refuge, and galleries of shelter against sudden danger; through caverns over whose arched roofs the avalanches slide, in spring, and bury themselves in the unknown gulf beneath. Down, over lofty bridges, and through horrible ravines: a little shifting speck in the vast desolation of ice and snow, and monstrous granite rocks; down through the deep Gorge of the Saltine, and deafened by the torrent plunging madly down, among the riven blocks of rock, into the level country, far below. Gradually down, by zig-zag roads, lying between an upward and a downward precipice, into warmer weather, calmer air, and softer scenery, until there lay before us, glittering like gold or silver in the thaw and sunshine, the metal-covered, red, green, yellow, domes and church-spires of a Swiss town (Pictures from Italy, p. 349).
Letters - Mrs. Charles Dickens Fribourg Saturday Night, November 23rd, 1844
The Alps appeared in sight very soon after we left Milan--by eight or
nine o'clock in the morning; and the brave C. was so far wrong in his
calculations that we began the ascent of the Simplon that same night,
while you were travelling (as I would I were) towards the Peschiere.
Most favourable state of circumstances for journeying up that tremendous
pass! The brightest moon I ever saw, all night, and daybreak on the
summit. The glory of which, making great wastes of snow a rosy red,
exceeds all telling. We _sledged_ through the snow on the summit for two
hours or so. The weather was perfectly fair and bright, and there was
neither difficulty nor danger--except the danger that there always must
be, in such a place, of a horse stumbling on the brink of an
immeasurable precipice. In which case no piece of the unfortunate
traveller would be left large enough to tell his story in dumb show. You
may imagine something of the rugged grandeur of such a scene as this
great passage of these great mountains, and indeed Glencoe, well
sprinkled with snow, would be very like the ascent. But the top itself,
so wild, and bleak, and lonely, is a thing by itself, and not to be
likened to any other sight. The cold was piercing; the north wind high
and boisterous; and when it came driving in our faces, bringing a sharp
shower of little points of snow and piercing it into our very blood, it
really was, what it is often said to be, "cutting"--with a very sharp
edge too. There are houses of refuge here--bleak, solitary places--for
travellers overtaken by the snow to hurry to, as an escape from death;
and one great house, called the Hospital, kept by monks, where wayfarers
get supper and bed for nothing. We saw some coming out and pursuing
their journey. If all monks devoted themselves to such uses, I should
have little fault to find with them (Letters, 1977, v. 4, p. 228).
Vevey
(map G-4)Pictures from Italy - The town of Vevey, lying on the smooth lake of Geneva, was beautiful to see (Pictures from Italy, p. 350).
Fribourg
(map F-5)Pictures from Italy - The statue of Saint Peter in the street at Fribourg, grasps the largest key that ever was beheld...Fribourg is illustrious for its two suspension bridges, and its grand cathedral organ (Pictures from Italy, p. 350).
Basle (Bale)
(map F-5)Pictures from Italy - Between that town [Fribourg] and Bale, the road meandered among thriving villages of wooden cottages, with overhanging thatched roofs, and low protruding windows, glazed with small round panes of glass like crown-pieces...in every little Swiss homestead, with its cart or waggon carefully stowed away beside the house, its little garden, stock of poultry, and groups of red-cheeked children, there was an air of comfort, very new and very pleasant after Italy...the dresses of the women changed again, and there were no more sword-bearers to be seen; and fair white stomachers, and great black, fan-shaped, gauzy-looking caps, prevailed instead.
...the country by the Jura mountains, sprinkled with snow, and lighted by the moon, and musical with falling water, was delightfu...below the windows of the great hotel of the Three Kings at Bale, the swollen Rhine ran fast and green (Pictures from Italy, p. 350).
Strasbourg
(map E-5)Pictures from Italy - ...Strasbourg itself, in its magnificent old Gothic Cathedral, and its ancient houses with their peaked roofs and gables, made a little gallery of quaint and interesting views...a crowd was gathered inside the cathedral at noon, to see the famous mechanical clock in motion, striking twelve...When it struck twelve, a whole army of puppets went through many ingenious evolutions; and, among them, a huge puppet-cock, perched on the top, crowed twelve times, loud and clear...It was wonderful to see this cock at great pains to clap its wings, and strain its throat; but obviously having no connection whatever with its own voice; which was deep within the clock, a long way down (Pictures from Italy, p. 350-351).
Orange Route - Tour of Southern Italy
January 19 - April 9, 1845
Spezzia
(map I-6)Pictures from Italy - Hence, when we came to Spezzia, we found that the Magra, an unbridged river on the high-road to Pisa, was too high to be safely crossed in the Ferry Boat, and were fain to wait until the afternoon of next day, when it had, in some degree, subsided. Spezzia, however, is a good place to tarry at; by reason, firstly, of its beautiful bay; secondly, of its ghostly Inn; thirdly, of the head-dress of the women, who wear, on one side of their head, a small doll's straw hat, stuck on to the hair; which is certainly the oddest and most roguish head-gear that ever was invented (Pictures from Italy, p. 353).
Carrara
(map I-6)Pictures from Italy - Carrara, shut in by great hills, is very picturesque and bold. Few tourists stay there; and the people are nearly all connected, in one way or other, with the working of marble. There are also villages among the caves, where the workmen live. It contains a beautiful little Theatre, newly built; and it is an interesting custom there, to form the chorus of labourers in the marble quarries, who are self-taught and sing by ear. I heard them in a comic opera, and in an act of 'Norma;' and they acquitted themselves very well; unlike the common people of Italy generally, who (with some exceptions among the Neapolitans) sing vilely out of tune, and have very disagreeable singing voices (Pictures from Italy, p. 356).
Pisa
(map I-6)Pictures from Italy - The moon was shining when we approached Pisa, and for a long time we could see, behind the wall, the leaning Tower, all awry in the uncertain light; the shadowy original of the old pictures in school-books, setting forth 'The Wonders of the World.' Like most things connected in their first associations with school-books and school-times, it was too small. I felt it keenly. It was nothing like so high above the wall as I had hoped. It was another of the many deceptions practised by Mr. Harris, Bookseller, at the corner of St. Paul's Churchyard, London. HIS Tower was a fiction, but this was a reality - and, by comparison, a short reality. Still, it looked very well, and very strange, and was quite as much out of the perpendicular as Harris had represented it to be. The quiet air of Pisa too; the big guard-house at the gate, with only two little soldiers in it; the streets with scarcely any show of people in them; and the Arno, flowing quaintly through the centre of the town; were excellent. So, I bore no malice in my heart against Mr. Harris (remembering his good intentions), but forgave him before dinner, and went out, full of confidence, to see the Tower next morning (Pictures from Italy, p. 356-357).
If Pisa be the seventh wonder of the world in right of its Tower, it may claim to be, at least, the second or third in right of its beggars. They waylay the unhappy visitor at every turn, escort him to every door he enters at, and lie in wait for him, with strong reinforcements, at every door by which they know he must come out. The grating of the portal on its hinges is the signal for a general shout, and the moment he appears, he is hemmed in, and fallen on, by heaps of rags and personal distortions. The beggars seem to embody all the trade and enterprise of Pisa. Nothing else is stirring, but warm air. Going through the streets, the fronts of the sleepy houses look like backs. They are all so still and quiet, and unlike houses with people in them, that the greater part of the city has the appearance of a city at daybreak, or during a general siesta of the population. Or it is yet more like those backgrounds of houses in common prints, or old engravings, where windows and doors are squarely indicated, and one figure (a beggar of course) is seen walking off by itself into illimitable perspective (Pictures from Italy, p. 358-359).
Leghorn
(map J-7)Pictures from Italy - Leghorn (made illustrious by SMOLLETT'S grave), ...is a thriving, business-like, matter-of-fact place, where idleness is shouldered out of the way by commerce. The regulations observed there, in reference to trade and merchants, are very liberal and free; and the town, of course, benefits by them. Leghorn had a bad name in connection with stabbers, and with some justice it must be allowed; for, not many years ago, there was an assassination club there, the members of which bore no ill-will to anybody in particular, but stabbed people (quite strangers to them) in the streets at night, for the pleasure and excitement of the recreation. I think the president of this amiable society was a shoemaker. He was taken, however, and the club was broken up. It would, probably, have disappeared in the natural course of events, before the railroad between Leghorn and Pisa, which is a good one, and has already begun to astonish Italy with a precedent of punctuality, order, plain dealing, and improvement - the most dangerous and heretical astonisher of all. There must have been a slight sensation, as of earthquake, surely, in the Vatican, when the first Italian railroad was thrown open (Pictures from Italy, p. 358-359).
Siena
(map J-7)Pictures from Italy - On the evening of the second day from Pisa, we reached the beautiful old city of Siena. There was what they called a Carnival, in progress; but, as its secret lay in a score or two of melancholy people walking up and down the principal street in common toy-shop masks, and being more melancholy, if possible, than the same sort of people in England, I say no more of it. We went off, betimes next morning, to see the Cathedral, which is wonderfully picturesque inside and out, especially the latter - also the market-place, or great Piazza, which is a large square, with a great broken-nosed fountain in it: some quaint Gothic houses: and a high square brick tower; OUTSIDE the top of which - a curious feature in such views in Italy - hangs an enormous bell. It is like a bit of Venice, without the water. There are some curious old Palazzi in the town, which is very ancient; and without having (for me) the interest of Verona, or Genoa, it is very dreamy and fantastic, and most interesting (Pictures from Italy, p. 360).
Radicofani
(map J-7)Pictures from Italy - ...we went, for twelve miles, over a country as barren, as stony, and as wild, as Cornwall in England, until we came to Radicofani, where there is a ghostly, goblin inn: once a hunting-seat, belonging to the Dukes of Tuscany. It is full of such rambling corridors, and gaunt rooms, that all the murdering and phantom tales that ever were written might have originated in that one house. There are some horrible old Palazzi in Genoa: one in particular, not unlike it, outside: but there is a winding, creaking, wormy, rustling, door- opening, foot-on-staircase-falling character about this Radicofani Hotel, such as I never saw, anywhere else. The town, such as it is, hangs on a hill-side above the house, and in front of it. The inhabitants are all beggars; and as soon as they see a carriage coming, they swoop down upon it, like so many birds of prey (Pictures from Italy, p. 362).
Forster - Before Radicofani was reached, there were disturbing rumours of bandits and even uncomfortable whispers as to their night's lodging-place. "I really began to think we might have an adventure; and as I had brought (like an ass) a bag of Napoleons with me from Genoa, I called up all the theatrical ways of letting off pistols that I could call to mind, and was the more disposed to fire them from not having any." It ended in no worse adventure, however, than a somewhat exciting dialogue with an old professional beggar at Radicofani itself, in which he was obliged to confess that he came off second-best. It transpired at a little town hanging on a hill side, of which the inhabitants, being all of them beggars, had the habit of swooping down, like so many birds of prey, upon any carriage that approached it (Forster, 1899, v. 1, p. 412).
Bolsena
(map J-8)Pictures from Italy - After passing through two little towns; in one of which, Acquapendente, there was also a 'Carnival' in progress: consisting of one man dressed and masked as a woman, and one woman dressed and masked as a man, walking ankle-deep, through the muddy streets, in a very melancholy manner: we came, at dusk, within sight of the Lake of Bolsena, on whose bank there is a little town of the same name, much celebrated for malaria. With the exception of this poor place, there is not a cottage on the banks of the lake, or near it (for nobody dare sleep there); not a boat upon its waters; not a stick or stake to break the dismal monotony of seven-and-twenty watery miles. We were late in getting in, the roads being very bad from heavy rains; and, after dark, the dulness of the scene was quite intolerable (Pictures from Italy, p. 363).
Ronciglione
(map K-8)Pictures from Italy - A short ride from this lake, brought us to Ronciglione; a little town like a large pig-sty, where we passed the night. Next morning at seven o'clock, we started for Rome (Pictures from Italy, p. 364).
Rome
(map K-8)Pictures from Italy - When we were fairly going off again, we began, in a perfect fever, to strain our eyes for Rome; and when, after another mile or two, the Eternal City appeared, at length, in the distance; it looked like - I am half afraid to write the word - like LONDON!!! There it lay, under a thick cloud, with innumerable towers, and steeples, and roofs of houses, rising up into the sky, and high above them all, one Dome. I swear, that keenly as I felt the seeming absurdity of the comparison, it was so like London, at that distance, that if you could have shown it me, in a glass, I should have taken it for nothing else.
WE entered the Eternal City, at about four o'clock in the afternoon, on the thirtieth of January, by the Porta del Popolo, and came immediately - it was a dark, muddy day, and there had been heavy rain - on the skirts of the Carnival. We did not, then, know that we were only looking at the fag end of the masks, who were driving slowly round and round the Piazza until they could find a promising opportunity for falling into the stream of carriages, and getting, in good time, into the thick of the festivity; and coming among them so abruptly, all travel-stained and weary, was not coming very well prepared to enjoy the scene.
We had crossed the Tiber by the Ponte Molle two or three miles before. It had looked as yellow as it ought to look, and hurrying on between its worn-away and miry banks, had a promising aspect of desolation and ruin. The masquerade dresses on the fringe of the Carnival, did great violence to this promise. There were no great ruins, no solemn tokens of antiquity, to be seen; - they all lie on the other side of the city. There seemed to be long streets of commonplace shops and houses, such as are to be found in any European town; there were busy people, equipages, ordinary walkers to and fro; a multitude of chattering strangers. It was no more MY Rome: the Rome of anybody's fancy, man or boy; degraded and fallen and lying asleep in the sun among a heap of ruins: than the Place de la Concorde in Paris is. A cloudy sky, a dull cold rain, and muddy streets, I was prepared for, but not for this: and I confess to having gone to bed, that night, in a very indifferent humour, and with a very considerably quenched enthusiasm.
Immediately on going out next day, we hurried off to St. Peter's. It looked immense in the distance, but distinctly and decidedly small, by comparison, on a near approach. The beauty of the Piazza, on which it stands, with its clusters of exquisite columns, and its gushing fountains - so fresh, so broad, and free, and beautiful - nothing can exaggerate. The first burst of the interior, in all its expansive majesty and glory: and, most of all, the looking up into the Dome: is a sensation never to be forgotten. But, there were preparations for a Festa; the pillars of stately marble were swathed in some impertinent frippery of red and yellow; the altar, and entrance to the subterranean chapel: which is before it: in the centre of the church: were like a goldsmith's shop, or one of the opening scenes in a very lavish pantomime. And though I had as high a sense of the beauty of the building (I hope) as it is possible to entertain, I felt no very strong emotion. I have been infinitely more affected in many English cathedrals when the organ has been playing, and in many English country churches when the congregation have been singing. I had a much greater sense of mystery and wonder, in the Cathedral of San Mark at Venice.
When we came out of the church again (we stood nearly an hour staring up into the dome: and would not have 'gone over' the Cathedral then, for any money), we said to the coachman, 'Go to the Coliseum.' In a quarter of an hour or so, he stopped at the gate, and we went in.
It is no fiction, but plain, sober, honest Truth, to say: so suggestive and distinct is it at this hour: that, for a moment - actually in passing in - they who will, may have the whole great pile before them, as it used to be, with thousands of eager faces staring down into the arena, and such a whirl of strife, and blood, and dust going on there, as no language can describe. Its solitude, its awful beauty, and its utter desolation, strike upon the stranger the next moment, like a softened sorrow; and never in his life, perhaps, will he be so moved and overcome by any sight, not immediately connected with his own affections and afflictions.
To see it crumbling there, an inch a year; its walls and arches overgrown with green; its corridors open to the day; the long grass growing in its porches; young trees of yesterday, springing up on its ragged parapets, and bearing fruit: chance produce of the seeds dropped there by the birds who build their nests within its chinks and crannies; to see its Pit of Fight filled up with earth, and the peaceful Cross planted in the centre; to climb into its upper halls, and look down on ruin, ruin, ruin, all about it; the triumphal arches of Constantine, Septimus Severus, and Titus; the Roman Forum; the Palace of the Caesars; the temples of the old religion, fallen down and gone; is to see the ghost of old Rome, wicked, wonderful old city, haunting the very ground on which its people trod. It is the most impressive, the most stately, the most solemn, grand, majestic, mournful sight, conceivable. Never, in its bloodiest prime, can the sight of the gigantic Coliseum, full and running over with the lustiest life, have moved one's heart, as it must move all who look upon it now, a ruin. GOD be thanked: a ruin! (Pictures from Italy, p. 364-367)
Forster - The first impression of Rome was disappointing. It was the evening of the 30th of January, and the cloudy sky, dull cold rain, and muddy footways, he was prepared for; but he was not prepared for the long streets of commonplace shops and houses like Paris or any other capital, the busy people, the equipages, the ordinary walkers up and down. "It was no more my Rome, degraded and fallen and lying asleep in the sun among a heap of ruins, than Lincoln's-inn-fields is. So I really went to bed in a very indifferent humour." That all this yielded to later and worthier impressions I need hardly say; and he had never in his life, he told me afterwards, been so moved or overcome by any sight as by that of the Coliseum, "except perhaps by the first contemplation of the Falls of Niagara" (Forster, 1899, v. 1, p. 414).
Fondi
(map L-9)Pictures from Italy - The Neapolitan frontier crossed, after two hours' travelling...we enter, by a gateless portal, into the first Neapolitan town - Fondi. Take note of Fondi, in the name of all that is wretched and beggarly.
A filthy channel of mud and refuse meanders down the centre of the miserable streets, fed by obscene rivulets that trickle from the abject houses. There is not a door, a window, or a shutter; not a roof, a wall, a post, or a pillar, in all Fondi, but is decayed, and crazy, and rotting away. The wretched history of the town, with all its sieges and pillages by Barbarossa and the rest, might have been acted last year. How the gaunt dogs that sneak about the miserable streets, come to be alive, and undevoured by the people, is one of the enigmas of the world (Pictures from Italy, p. 410).
Capua
(map L-9)Pictures from Italy - ...another night upon the road at St. Agatha; a rest next day at Capua, which is picturesque, but hardly so seductive to a traveller now, as the soldiers of Praetorian Rome were wont to find the ancient city of that name; a flat road among vines festooned and looped from tree to tree; and Mount Vesuvius close at hand at last! - its cone and summit whitened with snow; and its smoke hanging over it, in the heavy atmosphere of the day, like a dense cloud (Pictures from Italy, p. 411).
Naples
(map L-9)Forster - Except Fondi, there is nothing on earth that I have seen so dirty as Naples. I don't know what to liken the streets to where the mass of the lazzaroni live. You recollect that favourite pigstye of mine near Broadstairs? They are more like streets of such apartments heaped up story on story, and tumbled house on house, than anything else I can think of, at this moment." In a later letter he was even less tolerant. "What would I give that you should see the lazzaroni as they really are--mere squalid, abject, miserable animals for vermin to batten on; slouching, slinking, ugly, shabby, scavenging scarecrows! And oh the raffish counts and more than doubtful countesses, the noodles and the blacklegs, the good society! And oh the miles of miserable streets and wretched occupants,[99] to which Saffron-hill or the Borough-mint is a kind of small gentility, which are found to be so picturesque by English lords and ladies; to whom the wretchedness left behind at home is lowest of the low, and vilest of the vile, and commonest of all common things (Forster, 1899, v. 1, p. 415).
Mt Vesuvius
(map L-9)Letters-Thomas Mitton Naples, Monday, February 17th, 1845
Saturday, February 22nd.--Since I left off as above, I have been away on
an excursion of three days. Yesterday evening, at four o'clock, we began
(a small party of six) the ascent of Mount Vesuvius, with six
saddle-horses, an armed soldier for a guard, and twenty-two guides. The
latter rendered necessary by the severity of the weather, which is
greater than has been known for twenty years, and has covered the
precipitous part of the mountain with deep snow, the surface of which is
glazed with one smooth sheet of ice from the top of the cone to the
bottom.
By starting at that hour I intended to get the sunset about halfway up, and night at the top, where the fire is raging. It was an inexpressibly lovely night without a cloud; and when the day was quite gone, the moon (within a few hours of the full) came proudly up, showing the sea, and the Bay of Naples, and the whole country, in such majesty as no words can express. We rode to the beginning of the snow and then dismounted. Catherine and Georgina were put into two litters, just chairs with poles, like those in use in England on the 5th of November; and a fat Englishman, who was of the party, was hoisted into a third, borne by eight men. I was accommodated with a tough stick, and we began to plough our way up.
The ascent was as steep as this line /--very nearly perpendicular. We were all tumbling at every stop; and looking up and seeing the people in advance tumbling over one's very head, and looking down and seeing hundreds of feet of smooth ice below, was, I must confess, anything but agreeable. However, I knew there was little chance of another clear night before I leave this, and gave the word to get up, somehow or other. So on we went, winding a little now and then, or we should not have got on at all.
By prodigious exertions we passed the region of snow, and came into that of fire--desolate and awful, you may well suppose. It was like working one's way through a dry waterfall, with every mass of stone burnt and charred into enormous cinders, and smoke and sulphur bursting out of every chink and crevice, so that it was difficult to breathe. High before us, bursting out of a hill at the top of the mountain, shaped like this [HW: A], the fire was pouring out, reddening the night with flames, blackening it with smoke, and spotting it with red-hot stones and cinders that fell down again in showers. At every step everybody fell, now into a hot chink, now into a bed of ashes, now over a mass of cindered iron; and the confusion in the darkness (for the smoke obscured the moon in this part), and the quarrelling and shouting and roaring of the guides, and the waiting every now and then for somebody who was not to be found, and was supposed to have stumbled into some pit or other, made such a scene of it as I can give you no idea of.
My ladies were now on foot, of course; but we dragged them on as well as we could (they were thorough game, and didn't make the least complaint), until we got to the foot of that topmost hill I have drawn so beautifully. Here we all stopped; but the head guide, an English gentleman of the name of Le Gros--who has been here many years, and has been up the mountain a hundred times--and your humble servant, resolved (like jackasses) to climb that hill to the brink, and look down into the crater itself. You may form some notion of what is going on inside it, when I tell you that it is a hundred feet higher than it was six weeks ago. The sensation of struggling up it, choked with the fire and smoke, and feeling at every step as if the crust of ground between one's feet and the gulf of fire would crumble in and swallow one up (which is the real danger), I shall remember for some little time, I think. But we did it. We looked down into the flaming bowels of the mountain and came back again, alight in half-a-dozen places, and burnt from head to foot. You never saw such devils. And I never saw anything so awful and terrible (Letters, 1977, v. 4, p. 269-270).
Pompeii
(map L-9)Pictures from Italy - Stand at the bottom of the great market-place of Pompeii, and look up the silent streets, through the ruined temples of Jupiter and Isis, over the broken houses with their inmost sanctuaries open to the day, away to Mount Vesuvius, bright and snowy in the peaceful distance; and lose all count of time, and heed of other things, in the strange and melancholy sensation of seeing the Destroyed and the Destroyer making this quiet picture in the sun. Then, ramble on, and see, at every turn, the little familiar tokens of human habitation and every-day pursuits; the chafing of the bucket-rope in the stone rim of the exhausted well; the track of carriage- wheels in the pavement of the street; the marks of drinking-vessels on the stone counter of the wine-shop; the amphorae in private cellars, stored away so many hundred years ago, and undisturbed to this hour - all rendering the solitude and deadly lonesomeness of the place, ten thousand times more solemn, than if the volcano, in its fury, had swept the city from the earth, and sunk it in the bottom of the sea (Pictures from Italy, p. 416).
Paestum
(map M-13)Pictures from Italy - Turning away to Paestum yonder, to see the awful structures built, the least aged of them, hundreds of years before the birth of Christ, and standing yet, erect in lonely majesty, upon the wild, malaria-blighted plain - we watch Vesuvius as it disappears from the prospect, and watch for it again, on our return, with the same thrill of interest: as the doom and destiny of all this beautiful country, biding its terrible time (Pictures from Italy, p. 418).
Monte Cassino
(map K-9)Pictures from Italy - Away from Naples in a glorious sunrise, by the road to Capua, and then on a three days' journey along by-roads, that we may see, on the way, the monastery of Monte Cassino, which is perched on the steep and lofty hill above the little town of San Germano, and is lost on a misty morning in the clouds.
So much the better, for the deep sounding of its bell, which, as we go winding up, on mules, towards the convent, is heard mysteriously in the still air, while nothing is seen but the grey mist, moving solemnly and slowly, like a funeral procession. Behold, at length the shadowy pile of building close before us: its grey walls and towers dimly seen, though so near and so vast: and the raw vapour rolling through its cloisters heavily (Pictures from Italy, p. 427).
Terni
(map K-8)Pictures from Italy - We come, by a fair country, to the Falls of Terni, where the whole Velino river dashes, headlong, from a rocky height, amidst shining spray and rainbows (Pictures from Italy, p. 429).
Perugia
(map J-8)Pictures from Italy - Perugia, strongly fortified by art and nature, on a lofty eminence, rising abruptly from the plain where purple mountains mingle with the distant sky, is glowing, on its market- day, with radiant colours. They set off its sombre but rich Gothic buildings admirably. The pavement of its market-place is strewn with country goods. All along the steep hill leading from the town, under the town wall, there is a noisy fair of calves, lambs, pigs, horses, mules, and oxen. Fowls, geese, and turkeys, flutter vigorously among their very hoofs; and buyers, sellers, and spectators, clustering everywhere, block up the road as we come shouting down upon them (Pictures from Italy, p. 429).
Arezzo
(map J-8)Pictures from Italy - ...we reach Castiglione the same night, and Arezzo next day. Mass is, of course, performing in its fine cathedral, where the sun shines in among the clustered pillars, through rich stained-glass windows: half revealing, half concealing the kneeling figures on the pavement, and striking out paths of spotted light in the long aisles (Pictures from Italy, p. 429).
Florence
(map I-7)Pictures from Italy - But, how much beauty of another kind is here, when, on a fair clear morning, we look, from the summit of a hill, on Florence! See where it lies before us in a sun-lighted valley, bright with the winding Arno, and shut in by swelling hills; its domes, and towers, and palaces, rising from the rich country in a glittering heap, and shining in the sun like gold! (Pictures from Italy, p. 429-430)
What light is shed upon the world, at this day, from amidst these rugged Palaces of Florence! Here, open to all comers, in their beautiful and calm retreats, the ancient Sculptors are immortal, side by side with Michael Angelo, Canova, Titian, Rembrandt, Raphael, Poets, Historians, Philosophers - those illustrious men of history, beside whom its crowned heads and harnessed warriors show so poor and small, and are so soon forgotten. Here, the imperishable part of noble minds survives, placid and equal, when strongholds of assault and defence are overthrown; when the tyranny of the many, or the few, or both, is but a tale; when Pride and Power are so much cloistered dust. The fire within the stern streets, and among the massive Palaces and Towers, kindled by rays from Heaven, is still burning brightly, when the flickering of war is extinguished and the household fires of generations have decayed; as thousands upon thousands of faces, rigid with the strife and passion of the hour, have faded out of the old Squares and public haunts, while the nameless Florentine Lady, preserved from oblivion by a Painter's hand, yet lives on, in enduring grace and youth.
Let us look back on Florence while we may, and when its shining Dome is seen no more, go travelling through cheerful Tuscany, with a bright remembrance of it; for Italy will be the fairer for the recollection (Pictures from Italy, p. 432).
Forster - He went to Florence, which lived always afterwards in his memory with Venice, and with Genoa. He thought these the three great Italian cities. "There are some places here,--oh Heaven how fine! I wish you could see the tower of the palazzo Vecchio as it lies before me at this moment, on the opposite bank of the Arno! But I will tell you more about it, and about all Florence, from my shady arm-chair up among the Peschiere oranges. I shall not be sorry to sit down in it again" (Forster, 1899, v. 1, p. 416-417).
Yellow Route - Journey Home through Switzerland and France
June 1845
Gotthard Pass
(map F-6)Forster - "We came over the St. Gothard, which has been open only eight days. The road is cut through the snow, and the carriage winds along a narrow path between two massive snow walls, twenty feet high or more. Vast plains of snow range up the mountain-sides above the road, itself seven thousand feet above the sea; and tremendous waterfalls, hewing out arches for themselves in the vast drifts, go thundering down from precipices into deep chasms, here and there and everywhere: the blue water tearing through the white snow with an awful beauty that is most sublime. The pass itself, the mere pass over the top, is not so fine, I think, as the Simplon; and there is no plain upon the summit, for the moment it is reached the descent begins. So that the loneliness and wildness of the Simplon are not equalled there. But being much higher, the ascent and the descent range over a much greater space of country; and on both sides there are places of terrible grandeur, unsurpassable, I should imagine, in the world. The Devil's Bridge, terrific! The whole descent between Andermatt (where we slept on Friday night) and Altdorf, William Tell's town, which we passed through yesterday afternoon, is the highest sublimation of all you can imagine in the way of Swiss scenery. Oh God! what a beautiful country it is! How poor and shrunken, beside it, is Italy in its brightest aspect!"
"I look upon the coming down from the Great St. Gothard with a carriage and four horses and only one postilion, as the most dangerous thing that a carriage and horses can do. We had two great wooden logs for drags, and snapped them both like matches. The road is like a geometrical staircase, with horrible depths beneath it; and at every turn it is a toss-up, or seems to be, whether the leaders shall go round or over. The lives of the whole party may depend upon a strap in the harness; and if we broke our rotten harness once yesterday, we broke it at least a dozen times. The difficulty of keeping the horses together in the continual and steep circle, is immense. They slip and slide, and get their legs over the traces, and are dragged up against the rocks; carriage, horses, harness, all a confused heap. The Brave, and I, and the postilion, were constantly at work, in extricating the whole concern from a tangle, like a skein of thread. We broke two thick iron chains, and crushed the box of a wheel, as it was; and the carriage is now undergoing repair, under the window, on the margin of the lake: where a woman in short petticoats, a stomacher, and two immensely long tails of black hair hanging down her back very nearly to her heels, is looking on--apparently dressed for a melodrama, but in reality a waitress at this establishment" .(Forster, 1899, v. 1, p. 423-424)
Brussels
(map B-3)Forster - We met at Brussels; Maclise, Jerrold, myself, and the travellers; passed a delightful week in Flanders together; and were in England at the close of June (Forster, 1899, v. 1, p. 425).
